| Musik |
| Luis Enriquez Bacalov (music by)
|
| Drehbuch |
| Piero Regnoli (screenplay by)
|
| Stunt-Koordinator |
| Sergio Sagnotti (stunt co-ordinator)
|
| Kamera |
| Franco Delli Colli (director of photography - a.i.c.), Michele Pensato (camera operator), Giancarlo Giannesi (assistant cameraman), Giuseppe Raimondi (key grip), Remo Dolci (gaffer)
|
| Schnitt |
| Mauro Bonanni (film editor), Evandro Postorino (1st assistant editor), Angela Rosa Taccari (2nd assistant editor)
|
| Idee |
| Franco Mogherini (based on a story by)
|
| Bauten |
| Giuseppe Ranieri (production design), Giovanni Fratalocchi (production design)
|
| Kostüme |
| Giuliana Serano ([non accreditato]), Italia Giardina (aiuto costumista)
|
| 1. Regieassistenz |
| Danilo Massi (assistant director)
|
| 2. Regieassistenz |
| Fabrizio Corallo (assistants to the director), Vittorio Fanfoni (assistants to the director)
|
| Continuity |
| Marisa Agostini (script continuity)
|
| Standfotograf |
| Franco Vitale (action stills)
|
| Produktionsfirmen |
| Fral (S. p. A., Roma)
|
| Maske |
| Mauro Gavazzi (make-up), Marcello Di Paolo (make-up)
|
| Frisuren |
| Luciano Vito (hairstylist)
|
| Ton |
| Giosuè Gudelmoni (sound recordist), Pasquale Salerno (boom operator)
|
| Spezialeffekte |
| Cesare Battistelli (special effects)
|
| Produzent |
| Franco Monferini (presenta), Gabriele Crisanti (executive producer), Giuliano Simonetti (production manager), Guglielmo Simonetti (unit manager), Giovanni Spedicato (production co-ordination), Gianfranco Fornari (production co-ordination), Giancarlo Nannerini (production co-ordination)
|
| Regie |
| Stelvio Massi (directed by)
|
