| Musica |
| Nino Rota (Music by), Wilfred Josephs (Music Consultant)
|
| Sceneggiatura |
| H.A.L. Craig (Story and Screenplay by), Sergei Bondarchuk (Screenplay Collaboration by), Vittorio Bonicelli (Screenplay Collaboration by)
|
| Maestro d'armi |
| Franco Fantasia (Stunt Co-Ordinator)
|
| Direttore della fotografia |
| Armando Nannuzzi (Director of Photography), Nino Cristiani (Second Unit Cameraman), Giuseppe Berardini (Camera Operators)
|
| Montaggio |
| Richard C. Meyer (Edited by - A.C.E.), Jean Oser (Associate Editors), Vanio Amici (First Assistant Editor)
|
| Soggetto |
| H.A.L. Craig (Story and Screenplay by)
|
| Scenografia |
| Mario Garbuglia (Production Designer), Ferdinando Giovannoni (Art Directors), Kenneth Mugglestone (Set Decorators), Emilio D'Andria (Set Decorators)
|
| Costumi |
| Maria De Matteis (Civilian Costume Designer), Ugo Pericoli (Military Costume Designer), Maria Fanetti (Wardrobe Assistant)
|
| Choreografie |
| Gino Landi (Choreographer)
|
| Aiuto regista |
| Vladimir Dostal (First Assistant Director)
|
| Assistente regista |
| Alan Elledge (Assistant Directors), Tomaso Sherman (Assistant Directors - als Tommaso Sherman)
|
| Dialogcoach |
| William Slater (Dialogue Director)
|
| Segretaria di edizione |
| Elvira D'Amico (Script Continuity)
|
| Truccatore |
| Alberto De Rossi (Make-Up Supervision), Giannetto De Rossi (Make-Up Artists)
|
| Effetti speciali |
| Vladimir Likhachov (Special Effects)
|
| Parrucchiere |
| Paolo Borzelli (Hair Stylist)
|
| Fonico |
| Gordon Everett (Sound), Renato De Santis (Sound), John S. Dennis (Sound)
|
| Fotografo di scena |
| Alfonso Avincola (Still Photographers)
|
| Produttore |
| Dino De Laurentiis (- presents / Produced by), Richard C. Meyer (Associate Executive), Guy Luongo (Production Supervisors), Tom Carlile (Associate Producer), Guglielmo Ambrosi (Production Manager)
|
| Regia |
| Sergei Bondarchuk (Directed by)
|
