| Musica |
| Nino Rota (Music by), Ilhan Mimaroglu (and (Music by)), Tod Dockstader (and (Music by)), Andrew Rudin (and (Music by))
|
| Sceneggiatura |
| Federico Fellini (Story and Screenplay by), Bernardino Zapponi (and (Story and Screenplay by)), Brunello Rondi (Additional screenplay), Luca Canali (Advisor fpr Latin language)
|
| Direttore della fotografia |
| Giuseppe Rotunno (Director of Photography a.i.c. a.s.c.), Giuseppe Maccari (Camera Operator)
|
| Montaggio |
| Ruggero Mastroianni (Editing), Enzo Ocone (Editing Supervisor), Adriana Olasio (Editing Assistant)
|
| Soggetto |
| Petronio Arbitro (A free adaption of the [...] Classic), Federico Fellini (Story and Screenplay by), Bernardino Zapponi (and (Story and Screenplay by))
|
| Scenografia |
| Danilo Donati (Sets costumes and Furniture sketches by), Giorgio Giovannini (Construction Manager), Luigi Scaccianoce (and (Sets)), Antonio Scordia (Pictorial advisor), Italo Tomassi (Pictorial supervisor)
|
| Costumi |
| Danilo Donati (Sets costumes and Furniture sketches by / Sets)
|
| Aiuto regista |
| Maurizio Mein (Assistant director)
|
| Assistente regista |
| Liliana Betti (Assistants), Lia Consalvo (Assistants)
|
| Segretaria di edizione |
| Norma Giacchero (Continuity)
|
| Fotografo di scena |
| Tazio Secchiaroli ([non accreditato])
|
| Truccatore |
| Rino Carboni (Make-up)
|
| Parrucchiere |
| Luciano Vito (Hairstylist)
|
| Effetti speciali |
| Joseph Nathanson (Optical Effects)
|
| Produttore |
| Alberto Grimaldi (a film produced by), Enzo Provenzale (Casting), Roberto Cocco (Production Manager), Lamberto Pippia (Production Supervisor)
|
| Regia |
| Federico Fellini (Directed by)
|
