| Musica |
| Pino Donaggio (music by)
|
| Sceneggiatura |
| Jess Hill (screenplay by)
|
| Maestro d'armi |
| Giorgio Ubaldi (stunts coordinators), Jeff Moldovan (stunts coordinators)
|
| Direttore della fotografia |
| Carlo Tafani (director of photography), Claudio Sabatini (als Claudio Sabbatini; camera operator)
|
| Montaggio |
| Eugenio Alabiso (edited by), Teresa Negozio (assistant editor), Fabio Alabiso (assistant editor), Craig Brown (assistant editor)
|
| Aiuto regista |
| Vanja Aljinovic (1st. assistant director - als Vanja Aljinovich)
|
| Assistente regista |
| Nicholas Goodwin (als Nicholas Goodwin Self; (2nd assistant director))
|
| Regie 2. Stab |
| Jess Hill (2nd unit director)
|
| Persönlicher Assistent Mr. Spencer |
| Robert Banci (personal asst to Mr. Spencer)
|
| Casting |
| Angela Marquis (casting directors), Sarah Koeppe (als Sarah C. Koeppe; (casting directors)), Therese M. Schoeppner (extra casting director/assistant casting director)
|
| Segretaria di edizione |
| Joanna Kennedy (script supervisor)
|
| Dialogcouch |
| Helen Scourby (dialogue coach Mr. Hill)
|
| Dialogcoach |
| Ray Mottola (dialogue coach Mr. Spencer)
|
| Generator |
| Amedeo Leurini (generator operator)
|
| Produttore |
| Horst Wendlandt (presents), Matthias Wendlandt (produced by), Giuseppe Pedersoli (produced by), Willy Egger (executive producer), Günther Russ (production manager), Charlie O'Dowd (unit manager), Carl Ludwig (production supervisor)
|
| Regia |
| Terence Hill (directed by)
|
