| Musik |
| Giancarlo Chiaramello (Music composed an conducted by)
|
| Drehbuch |
| Lewis John Carlino (Screenplay by)
|
| Stunt-Koordinator |
| Jerry Brutsche
|
| Kamera |
| Aldo Tonti (Director of Photography), Sol Negrin (Lighting Director - A.S.C.), Rospo Pallenberg (Creative Assistant), Howard Block (Camera Operators), Peter Garbarini (Camera Operators), James Contner (Camera Assistant), James Finnerty (Chief Grip), Richard Quinlan Jr. (Chief Electrician)
|
| Schnitt |
| Peter Zinner (Associate Producer and Film Editor - A.C.E.), Robert Lovett (Associate Editor), David Hawkins (Sound Editor), Allison Berkley (Assistant Editors), Maurice Schell (Assistant Editors)
|
| Idee |
| Nicholas Gage (Based on an Original Story by)
|
| Bauten |
| Robert Gundlach (Art Director), George Detitta (Set Decorator), Robert Klatt (Set Dresser), Sante Fiore (Scenic Artist), Thomas Saccio (Property Master)
|
| Kostüme |
| Ann Roth (Costume Designer), Bob Pusilo (Assistant to [...])
|
| 1. Regieassistenz |
| John Nicolella (First Assistant Director)
|
| 2. Regieassistenz |
| Walter Scotchdopole (Assistant Directors), John Neukum (Assistant Directors)
|
| Continuity |
| Renata Stoia (Script Supervisor)
|
| Maske |
| Enrico Cortese (II) (Make-Up)
|
| Frisuren |
| Phyllis Sagnelli (Hairdresser)
|
| Ton |
| Dennis Maitland (Sound Mixer), Tony Alloy (Recordist), Vito Ilardo (Boom Man)
|
| Standfotograf |
| Charles Moore (Still Photographer)
|
| Spezialeffekte |
| Joseph Lombardi (Special Effect)
|
| Dialogtrainer |
| John Alarimo (Dialogue Coach)
|
| Transport |
| Harry Leavey (Transportation Captain)
|
| Produzent |
| Dino de Laurentiis (- presents / Produced by), Peter Zinner (Associate Producer and Film Editor - A.C.E.), Dick Stenta (Production Supervisor), Nino Crisman (Executive Producer - als Nino Krisman), Carolyn Schoenberg (Production Secretary)
|
| Regie |
| Carlo Lizzani (Directed by)
|
