| Musica |
| Jerry Goldsmith (music)
|
| Sceneggiatura |
| Eric Bercovici (written by), Jerry Ludwig (and (written by))
|
| Maestro d'armi |
| Hal Needham (stunt coordinators), Juan Majan (stunt coordinators)
|
| Direttore della fotografia |
| Riccardo Pallottini (director of photography - als Riccardo Pallotini), Raul Perez Cubero (second unit photography - als Raul Perez-Cubero), Carlo Tafani (camera operator), José Luis Martinez (chief electrician - als José-Luis Martinez), Luis Martinez (key grip)
|
| Montaggio |
| Stanford C. Allen (film editor), Dennis Mosher (assistant film editor)
|
| Scenografia |
| Julio Molina (art director), Angel Sevillano (property master)
|
| Costumi |
| Agustin Jimenez (wardrobe supervisor)
|
| Regie 2. Stab |
| Hal Needham (Second unit director)
|
| Aiuto regista |
| Scott Maitland (assistant directors), José Lopez Rodero (assistant directors - als Pepe Lopez Rodero)
|
| Segretaria di edizione |
| Lucie Lichtig (script supervisor)
|
| Fotografo di scena |
| Phil Stern (still photographer)
|
| Truccatore |
| Carmen Martin (makeup)
|
| Fonico |
| Jim Willis (recording mixer), Theodore Soderberg (recording mixer)
|
| Dialogcoach |
| Paul Costello (dialogue supervisor)
|
| Presse |
| Alan Arnold (unit publicist), Stanley Bielecki (press coordination)
|
| Effetti speciali |
| Luciano D'Achille (special effects), Antonio Molina (special effects)
|
| Produttore |
| Harry Bernsen (a - production - als Bernsen / produced by), Jerrold L. Ludwig (a - production - als Ludwig), Eric Bercovici (a - production - als Bercovici), Leon Chooluck (co-producer), Maria Luisa Alcaraz (associate producer - als Maria-Luisa Alcaraz), Francisco Ardura (production coordinator), Mary Pepa Willis (production secretary), José Maria Ochoa (unit manager)
|
| Regia |
| Antonio Margheriti (directed by - als Anthony M. Dawson)
|
