| Musica |
| Mitch Leigh (Music by), Joe Darion (Lyrics by), Laurence Rosenthal (Music Adapted and Conducted by), Herbert Spencer (Musical Associate)
|
| Sceneggiatura |
| Dale Wasserman (Screen Play by)
|
| Direttore della fotografia |
| Giuseppe Rotunno (Photographed by - A.S.C.), Giuseppe Maccari (Camera Operator), Mazzini Salvatori (Chef Grip), Rodolfo Bramucci (Chief Electrician)
|
| Montaggio |
| Robert C. Jones (Edited by), Richard Carruth (Music Editors), Ted Sebern (and (Music Editors)), David Blangsted (Assistant Editor)
|
| Soggetto |
| Dale Wasserman (Based on the Musical Play [...] Written by)
|
| Scenografia |
| Luciano Damiani (Sets and Costumes by), Arrigo Breschi (Set Dresser), Elio Altamura (Property Master), Sibylla Ulsamer (Assistant to Sets and Costume Designer)
|
| Costumi |
| Luciano Damiani (Sets and Costumes by)
|
| Aiuto regista |
| Franco Cirino (Assistant Directors), Mauro Sacripanti (and (Assistant Directors))
|
| Segretaria di edizione |
| Elvira D'Amico (Script Supervisor)
|
| Fotografo di scena |
| Tazio Secchiaroli ([non accreditato])
|
| Truccatore |
| Charles Parker (Makeup), Euclide Santoli (Makeup), Giuseppe Annunziata (and (Makeup))
|
| Parrucchiere |
| Amalia Paoletti (Hairdressing), Ramon Gow (Hairdressing), Ada Palombi (and (Hairdressing))
|
| Fonico |
| David Hildyard (Sound by), Richard Portman (and (Sound by))
|
| Choreografie |
| Gillian Lynne (Choreography by)
|
| Segretaria di edizione |
| Roy Jones (Assistant Choreographer)
|
| Casting |
| Maude Spector (Casting by)
|
| Effetti speciali |
| Adriano Pischiutta (Special Effects)
|
| Produttore |
| Arthur Hiller (Produced and Directed by), Alberto Grimaldi (Executive Producer), Saul Chaplin (Associate Producer), Luciano Piperno (Production Manager), Lanfranco Diotallevi (Unit Managers), Luciano Pesciaroli (Unit Managers), Paolo Infascelli (and (Unit Managers))
|
| Regia |
| Arthur Hiller (Produced and Directed by)
|
