| Musik |
| Dolores Claman (music composed py), Jose Nieto (II) (conducted and arranged by - als Pepe Nieto)
|
| Drehbuch |
| Philip Yordan (screenplay by), Milton Sperling (and (screenplay by))
|
| Kamera |
| John Cabrera (photography by - B.S.C.), Ricardo Navarrete (camera operator), José Mateos (focus assistant), Juan Antonio Aguilar (assistant)
|
| Schnitt |
| Antonietta Zita (Montaje), Carmen Alonso Collar (editorial assistants), Soledad Lopez (editorial assistants), Maria Carmen Taberner (editorial assistants), Elizabeth Redstone (editorial assistants)
|
| Bauten |
| Julio Molina (art director), Luciano Abroyo (design assistants), José María Tapiador (design assistants - als José Mª Tapiador)
|
| Kostüme |
| Andres Fernandez (wardrobe master), Charlie Simminger (wardrobe supervisor)
|
| 1. Regieassistenz |
| Miguel Gil (1st assistant director)
|
| 2. Regieassistenz |
| Martin Sacristan (2nd assistant director), Adolfo Arostarain (3rd assistant director)
|
| Continuity |
| Eva Del Castillo (script clerk)
|
| Standfotograf |
| Federico Grau (stills cameraman)
|
| Maske |
| Miguel Sese (make-up artists), Fernando Florido (make-up artists), Julian Ruiz (make-up artists)
|
| Frisuren |
| Vicenta Palmero (hairdressers - als Vicente Palmero), María Nieves Ruiz (hairdressers - als Mª Nieves Ruiz)
|
| Ton |
| Antonio Illan (recording engineer), Enrique Molinero (mixing recordist), Jim Groom (sound editor)
|
| Spezialeffekte |
| Manuel Baquero (chief of special effects - als Manolo Baquero)
|
| Produzent |
| Irving Lerner (associate producer), Milton Sperling (produced by), Philip Yordan (ans), Gregorio Sacristan (production supervisor), Vicente Sacristan (als Vincente Sacristan; production assistant), Norma Gorcey (production secretary)
|
| Regie |
| Alexander Singer (directed by)
|
