| Musik |
| Charles Gross (Music Composed and Conducted by)
|
| Drehbuch |
| Roland Kibbee (Screenplay by), David Rayfiel (and (Screenplay by))
|
| Stunt-Koordinator |
| Al Wyatt (Stunt Co-ordinator)
|
| Kamera |
| Gabor Pogany (Director of Photography), Tom May (Chief Grip)
|
| Schnitt |
| James T. Heckert (Film Editors), George Rohrs (Film Editors), Irma Levin (Music Editor)
|
| Casting |
| Lynn Stalmaster (Casting)
|
| 1. Regieassistenz |
| Tony Ray (1st Assistant Directors), José Maria Ochoa (1st Assistant Directors - als Joe Ochoa)
|
| 2. Regieassistenz |
| Kim Manners (2nd Assistant Director)
|
| Bauten |
| José Maria Tapiador (Art Director), Art Starnes (Construction Co-Ordinator), Rafael Salazar (Set Decorator), Robert Eaton (Property Master)
|
| Maske |
| Mariano Garcia Rey (Make Up), Alberto Gutierrez (Make Up)
|
| Frisuren |
| Antonia Lopez (Hairdresser)
|
| Dialogregie |
| Thom Conroy (Dialogue Director)
|
| Kostüme |
| Lewis Brown (Costumes Designed by), Jack Martell (Costumer)
|
| Ton |
| H. Bud Alper (Sound Mixer)
|
| Continuity |
| John Franco (Script Supervisor)
|
| Spezialeffekte |
| Charles Gaspar (Special Effects)
|
| Idee |
| Elmore Leonard (from the Novel by)
|
| Produzent |
| Ira Steiner (A - production / Produced by), Roland Kibbee (Executive Producer), Sam Manners (Associate Producer Production Manager), José Maria Rodriguez (Spanish Production Manager)
|
| Regie |
| Edwin Sherin (Directed by)
|
