| Musik |
| Alessandro Alessandroni (music by)
|
| Drehbuch |
| Giulio Berruti (written by), Alberto Tarallo (written by)
|
| Kamera |
| Antonio Maccoppi (director of photography - as Tonino Maccoppi), Luigi Filippo Carta (camera operator - als Pippo Carta), Gincarlo Battaglia (ass't cameraman)
|
| Schnitt |
| Mario Giacco (film editor), Patrizia Oppedisano (1st ass't editor), Andrea Vari (2nd ass't editor)
|
| 1. Regieassistenz |
| Alberto Vari (ass't director)
|
| Idee |
| Enzo Gallo (based on an idea by)
|
| Bauten |
| Francesco Vanorio (production designer - als Franco Vanorio), Stefano Paltrinieri (set dresser), Velio Zamprioli (props)
|
| Kostüme |
| Alberto Tarallo (wardrobe)
|
| Continuity |
| Tiziana Oppedisano (script continuity)
|
| Standfotograf |
| Stefano Cecchi (action stills)
|
| Maske |
| Mauro Gavazzi (make-up)
|
| Frisuren |
| Maria Rizzo (hairstylist)
|
| Ton |
| Roberto Forrest (sound recordist - als Robert Forrest), Antonio Gallo (booom operator)
|
| Presse |
| Kim Gatti (unit publicist)
|
| Produktionsfirmen |
| Cinesud, Gruppo di Lavoro Calliope
|
| Produzent |
| Enzo Gallo (- presents), Giancarlo Funaro (unit manager), Mariella Vari (production secretary), Marcello Papaleo (production manager)
|
| Regie |
| Giulio Berruti (directed by)
|
