| Musik |
| Piero Piccioni (Music composed by)
|
| Drehbuch |
| Tom Rowe (Screenplay by), Rachel Billington (Additional dialogue by), Berta Dominguez D. (Additional ideas - als Bertha Dominguez D.)
|
| Kamera |
| Eduardo Noé (Camera operator), Henri Decae (Director of photography), Cecilio Paniagua (Cameraman 2nd unit)
|
| Schnitt |
| Bert Bates (Editor), Ted Mason (Sound editor)
|
| Idee |
| Jules Verne ('s)
|
| Bauten |
| Enrique Alarcon (Art director)
|
| Maske |
| José Antonio Sanchez (Make up), Ramon De Diego (Make up)
|
| Frisuren |
| Josefa Rubio (Hairdressing)
|
| Casting |
| John Merrick (Casting)
|
| Ton |
| A.J. Willis (Sound - als A.J. Wallis), Enrique Molinero (Sound)
|
| Kostüme |
| Deirdre Clancy (Costume designer), Manuel Mampaso (Costume designer - als M. Mampaso)
|
| 1. Regieassistenz |
| Julio Sempere (Assistent director)
|
| Continuity |
| Jane Buck (Continuity)
|
| Spezialeffekte |
| Antonio Molina (Special effects), Richard M. Parker (Special effects)
|
| Regie 2. Stab |
| Juan Estelrich (Director 2nd unit)
|
| Produzent |
| Alexander Salkind (- presents - als Alexandre Salkind), Alfredo Matas (Executive producer), Kirk Douglas (Producer), Ilya Salkind (Associate producer), José Manuel Miguel Herrero (Production supervisor - als Jose Manuel M. Herrero), Francisco Romero (Production manager)
|
| Regie |
| Kevin Billington (Director)
|
