| Musik |
| Waldo De Los Rios (Music by), Sunny Ryder ([...] Sung by)
|
| Drehbuch |
| Richard Aubrey (Screenplay by)
|
| Kamera |
| Manuel Berenguer (Photography - als Manolo Berenguer (ASC)), Salvador Gil (Camera Operator), Luis Pena (II) (Assistant Cameramen), Pepe Martinez (Assistant Cameramen)
|
| Schnitt |
| Bert Bates (Supervising Editor), Anna Parsons (Sound Editor), Carmen Alonso Collar (Associate Editor - als Carmen Alonso)
|
| Bauten |
| Julio Molina (Art Director), Anthony Powell (Consultant Designer), German Quejido (Props)
|
| Kostüme |
| Ossie Clark (Costume Designers), Alice Pollock (Costume Designers), Charlie Simminger (Wardrobe)
|
| 1. Regieassistenz |
| Julio Sempere (Assistant Director)
|
| 2. Regieassistenz |
| Martin Sacristan (2nd Assistant Directors), Luis G. Mantilla (2nd Assistant Directors)
|
| Continuity |
| Barbara Cole (Continuity)
|
| Standfotograf |
| Antonio Luengo (Stills Cameraman)
|
| Maske |
| Julian Ruiz (Make-up)
|
| Frisuren |
| Maria Nieves Ruiz (Hairdresser)
|
| Ton |
| Wally Milner (Sound)
|
| Dialogtrainer |
| John Kirby (Dialogue Coach)
|
| Spezialeffekte |
| Manolo Baquero (Special Effects)
|
| Casting |
| Maude Spector (Casting)
|
| Produzent |
| S. Benjamin Fisz (Produced by), Howard Brandy (Assistants To The Producer), Sue Green (Assistants To The Producer), Vicente Sacristan (Production Assistant), Norma Gorgey (Production Secretary)
|
| Regie |
| Robert Parrish (Directed by)
|
