| Musik |
| Luciano Michelini (Music by)
|
| Drehbuch |
| Sauro Scavolini (Screenplay by), Roberto Leoni (Screenplay by), Maria Perrone Capano (Screenplay by)
|
| Kamera |
| Giancarlo Ferrando (Director of photography), Maria Elisa Basconi (Camera operator), Andy Fisher (Assistant cameraman), Alessandro Capuccio (Assistant cameraman), Peter Mano (Assistant cameraman)
|
| Schnitt |
| Eugenio Alabiso (Film editor), Teresa Negozio (Assistant editor)
|
| Drehorte |
| USA, Miami, Florida, USA
|
| Idee |
| Sergio Martino (Story by), Roberto Leoni (Story by)
|
| Bauten |
| Federico Padovan (Art director), Antonella Geleng (Original set designs by)
|
| Kostüme |
| Valentina Di Palma (Costumes by), Leslie Herman (Costumes by), Cecilia Lindhard (Costumes by), Jackie Arrington (Seamstresses), Janine Fauvel (Seamstresses)
|
| 1. Regieassistenz |
| Federica Martino (Assistant director)
|
| 2. Regieassistenz |
| Giandomenico Trillo (2nd assistant director)
|
| Continuity |
| Susanna Pellegrini (Continuity)
|
| Standfotograf |
| Giorgio G. Schwartze (Still photographer - als Giorgio Garibaldi Schwarze)
|
| Maske |
| Rosario Prestopino (Special make-up effects)
|
| Casting |
| Riccardo Bertoni (Casting New York), Ellen Jacoby (Casting Miami)
|
| Ton |
| Vittorio Melloni (II) (als Victor Melloni; Production sound mixer), Richard Gragg (Boom operator)
|
| Dialogcoach |
| Clara Pascal (Dialogue coach)
|
| Produzent |
| Luciano Martino ([non accreditato]), Ricky Sacco (Production manager), Marco Grillo Spina (Production executives in Italy), Massimo Massimi (Production executives in Italy), Franco Bellito (Production assistant), Sandra Vergara (Production secretary), Daniel Del Calva (Accountant)
|
| Regie |
| Sergio Martino (Directed by - als Martin Dolman)
|
