| Musik |
| Francesco De Masi (Music Composed and Conducted by)
|
| Drehbuch |
| Ralph Anders (Screenplay by), Robert Day (Screenplay by), Stanley Norman (Screenplay by)
|
| Stunt-Koordinator |
| Sergio Mioni (Stunt supervision)
|
| Kamera |
| Mario Fioretti (Director of Photography), Carlo Fioretti (Cameraman), Alberto Gubbiotti (Lighting director), Rayner Lanuschny (Camera assistant)
|
| Schnitt |
| Freddie Wilson (Film Editor)
|
| Drehorte |
| Italia (Italien), Roma (Rom), Hongkong, South Africa (Südafrika), Cape Town (Kapstadt)
|
| Idee |
| Ralph Anders (Based on the novel [...] by)
|
| Bauten |
| Basil Deny (Art Director), Alberto Korda (Construction design)
|
| Kostüme |
| Regina Wollschlager (Wardrobe)
|
| 1. Regieassistenz |
| Carlo Lastricati (Director assistants), Virginia Fung (Director assistants)
|
| Continuity |
| Cheryl Frootko (Continuity)
|
| Maske |
| Massimo Giustini (Makeup supervision), Nola Du Preez (Makeup)
|
| Frisuren |
| Gert Bogner (Hair stylist)
|
| Ton |
| Ernest Cousin (Sound recordist)
|
| Spezialeffekte |
| Giulio Molinari (Special effects)
|
| Produzent |
| Stanley Norman (-'s Production of / Produced by), Rudolph Andreas (Executive Producer), Roland Robinson (Production management and assistants), Christopher Galloway (Production management and assistants), Francesco Fele (Production management and assistants), Gerd Roeber (Supervision)
|
| Regie |
| Robert Day (Directed by)
|
