| Musik |
| Joel Goldsmith (Music by)
|
| Drehbuch |
| Linda Shayne (Screenplay by)
|
| Kamera |
| Alejandro Ulloa (Director of Photography - als Alexander Ulloa), Eduardo Noé (Camera Operator), Saturnino Pita (1st Assist. Cameramen), Anthony Balderrama (1st Assist. Cameramen), Bruce Fedorka (2nd Assist. Cameramen), Ignacio Nunez (2nd Assist. Cameramen)
|
| Schnitt |
| Nicholas Wentworth (Edited by)
|
| Ton |
| Julio Recuero (Boom Operators)
|
| Idee |
| Alberto Vazquez Figueroa (Story by - als Alberto Vazquez-Figueroa)
|
| Bauten |
| José Maria Alarcon (Production Designer)
|
| Kostüme |
| Etta Leff (Costume Design), Juana Ramirez (Wardrobe), Krista Kitaen (Wardrobe Asst.)
|
| 1. Regieassistenz |
| Alvaro Forque (1st Assistant Director)
|
| 2. Regieassistenz |
| Lynn Hamrick (Special Asst. to the Director)
|
| Continuity |
| Margarita Pardo (Script Supervisors), Lynn Hamrick (Script Supervisors)
|
| Standfotograf |
| Michael N. Marks (Still Photographers), Maria Delgado (Still Photographers)
|
| Maske |
| Manuel Martin (Make-Up), Lisa Ann Pedrian (Make-Up)
|
| Ton |
| Manuel Rincon (Location Sound Mixer), Antonio Ogaz (Boom Operators)
|
| Frisuren |
| Josefa Perez (Hairdresser)
|
| Choreografie |
| Marcea D. Lane (Choreographer)
|
| Continuity |
| Vikki Vicars (Casting by)
|
| Spezialeffekte |
| Antonio Molina (Special Effects)
|
| Produzent |
| Carlos Vasallo (- presents / Produced by), Aladdin Pohjan (Executives in Charge of Production), Salvador Gines (Executives in Charge of Production), Petri Sanchez (Production Secretary), Rudolph M. Roech (Special Assts. to the Producers), Fernando Vasallo (Special Assts. to the Producers )
|
| Regie |
| Gil Bettman (Directed by)
|
