| Musik |
| Mario Nascimbene (Music Composed and Conducted by)
|
| Drehbuch |
| Nevill Coghill (Adapted for the screen by)
|
| Kamera |
| Gabor Pogany (Director of Photography - C.S.C.), Brian West (Operator)
|
| Schnitt |
| John Shirley (Editor - G.B.F.E.), Carlo Fabianelli (Editor, Italian Version)
|
| Idee |
| Christopher Marlowe ('s [...])
|
| Bauten |
| John De Cuir (Production Design by)
|
| Kostüme |
| Peter Hall (Costumes Designed by)
|
| 1. Regieassistenz |
| Gus Agosti (Assistent Director)
|
| Bauten |
| Boris Juraga (Art Director)
|
| Continuity |
| Elaine Schreyeck (Contonuity)
|
| Bauten |
| Dario Simoni (Set Decoration)
|
| Ton |
| David Hildyard (Sound Mixers), John Aldred (Sound Mixers), Aldo De Martino (Soundman - als Aldo De Martin)
|
| Spezialeffekte |
| Augie Lohman (Special Effects)
|
| Bauten |
| Ken Muggleston (Props)
|
| Kostüme |
| Franco Antonelli (Wardrobe)
|
| Maske |
| Giannetto De Rossi (Make-up)
|
| Frisuren |
| Vasco Reggiani (Hairdresser)
|
| Produzent |
| Guy Luongo (Production Supervisor), Richard Burton (Produced by), Richard McWhorter (and (Produced by)), Roberto Cocco (Unit Manager), Carlo Lastricati (Production Assistant)
|
| Regie |
| Richard Burton (Directed by), Nevill Coghill (and (Directed by))
|
