| Musik |
| Luis Enriquez Bacalov (Music by - als Luis Enriques Bacalov)
|
| Drehbuch |
| Fulvio Gicca Palli (Screenplay by), Maurizio Lucidi (Screenplay by), Giovanni Pago (Screenplay by), Francesco Giorgi (Screenplay by)
|
| Kamera |
| Gabor Pogany (Lighting Cameraman), Idelmo Simonelli (Camera operator), Cristiano Pogany (Ass't operator), Nunzio Colucci (Gaffer), Mario Schiavone (Electricians), Luciano Marrocchi (Electricians), Giuseppe Scansalegna (Electricians), Romeo Governatori (Chief grip), Vittorio Munalli (Grips), Giancarlo Farina Governatori (Grips), Quirino Fantauzzi (Grips)
|
| Schnitt |
| Renzo Lucidi (Film Editor)
|
| 1. Regieassistenz |
| Francesco Cinieri (Ass't director)
|
| Maske |
| John O'Gorman (Miss Andress' Make-up)
|
| Idee |
| Fulvio Gica Palli (Adapted for the screen by), Franco Enna (from a novel by)
|
| Bauten |
| Giulia Mafai (Production design), Antonino Occhiuto (Production design - als Occhiuto Antonino c.s.c.), Antonio Ferri (Set dresser)
|
| Kostüme |
| Sara Santarelli (Seamstress)
|
| Continuity |
| Paolo Lucidi (Continuity)
|
| Standfotograf |
| Mario Mazzoni (Action stills)
|
| Maske |
| Massimo De Rossi (Make-up artist)
|
| Frisuren |
| Adalgisa Favella (Hairstylist)
|
| Ton |
| Pietro Spadoni (Sound mixer), Angelo Spadoni (Boom operator)
|
| Produzent |
| Francesco Giorgi (Production Manager), Luciano Appignani (Executive Producer), Vincenzo Salviani (Unit manager), Vittorio Carta (Production co-ordinator), Paolo Fantini (Production assistant)
|
| Regie |
| Maurizio Lucidi (Directed by)
|
