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 | Ein wahrer Jünger seines Herrn |  |
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| Saving Grace
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| Literaturverfilmung / Religion - USA 1985 |
| Internationale Titel einblenden |
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| Inhalt |
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| Besetzung |
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| Galerie der unbekannten Darsteller dieses Films aufrufen |
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| Stab |
| Musik |
| William Goldstein (music by), Ira Hearshen (als Ira Hearschen; orchestrations by), Mark Watters (orchestrations by)
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| Drehbuch |
| Joaquin Montana (screenplay by), Richard Kramer (adaptation by), Anna Korda (dialogue coach)
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| Kamera |
| Reynaldo Villalobos (director of photography), Roberto Forges Davanzati (Camera operator), Fabrizio Vicari (focus puller), Daniele Cimini (camera assistant), Elisa Basconi (clapper/loader), Nunzio Colucci (gaffer), Alberto Anzellotti (key grips), Franco Tocci (key grips), Antonio Savini (transportation manager), Giuseppe Fabrizi (elettricista [non accreditato]), Mario Massaccesi (elettricista [non accreditato])
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| Schnitt |
| Michael Kelly (editors), Peter Zinner (, a.c.e.; editors), Flo Williamson (assistant editors), Kathie Weaver (assistant editors), Thomas Stanford (A.C.E.; additional editing by)
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| Kostüme |
| Casa D'Arte - Firenze (als costumi d'arte)
| | Idee |
| Celia Gittelson (from the novel by)
| | Bauten |
| Giovanni Natalucci (production designer), Joe Chevalier (set decorator), Mariangela Capuano (assistant art director), Boni Fraulo (property master), Bernardino Nardoni (construction coordinator), Lucio Di Domenico ([non accreditato])
| | Kostüme |
| Vittoria Guaita (costume designer), Ruggero Peruzzi (II) (by), Nino Lembo (jewels and decorations ... , ROMA)
| | Maske |
| Giancarlo Del Brocco (chief make-up artist), Alfredo Tiberi (make-up artist)
| | Frisuren |
| Iole Cecchini (hairdresser)
| | Ton |
| Peter Sutton (sound mixer), Don Wortham (boom), James J. Klinger (supervising sound editor), Richard Adams (II) (als Richard W. Adams; sound editor), Jas Klinger (assistant sound editor), Roy Prendergast (S.M.E.; music editors), Arthur Leigh (S.M.E.; music editors), Gary C. Bourgeois (als Gary Bourgeois C.A.S.; re-recording mixers), Paul A. Sharpe (re-recording mixers), Chris Carpenter (re-recording mixers)
| | Continuity |
| Francesca Roberti (continuity)
| | chief-michelson caterers |
| Bill Buonaiuto
| | Standfotograf |
| Etienne George (unit photographer)
| | Presse |
| Walter Alford (unit publicist)
| | religious consultant |
| Carlo Stanzial (Don)
| | Spezialeffekte |
| Eros Bacciucchi (special effects), Adriano Pischiutta (special effects)
| | Casting |
| Francesco Cinieri (casting director)
| | Produktionsfirmen |
| Columbia Pictures (presents), Embassy Films Associates (an)
| | 1. Regieassistenz |
| Newt Arnold (als Newton Arnold; 1st assistant director), Gianni Cozzo (1st assistant director)
| | 2. Regieassistenz |
| Mauro Sacripanti (2nd assistant director), Luca Lachin (3rd assistant director), Bonnie Solow (assistant to the director)
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| Produzent |
| Herbert F. Solow (and ... production; produced by), Mario Pisani (production supervisor), Michael S. Glick (executive in charge of production), Newt Arnold (als Newton Arnold; associate producer), Gianfranco Coduti (als Franco Coduti; unit manager), Anselmo Parrinello (location manager), Jeffrey Stott (production controller), John Beharrell (production auditor), Enzo Sisti (production accountant), Penelope Forrester (assistant production auditor), Leslie Cornyn (post-production accounting), Janice Munro (production secretaries), Nancy Rubin Levin (production secretaries), Enzo Tacchia (production assistant)
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| Regie |
| Robert M. Young (a ... film; directed by)
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| Diese Filmseite wurde zum 2649. mal aufgerufen. |
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