| Musik |
| Ennio Morricone (Music by - als Leo Nichols), Nunzio Rotondo (Trumpet solo)
|
| Drehbuch |
| Alfredo Antonini (Screenplay by - als Albert Band), Ugo Liberatore (and (Screenplay by))
|
| Kamera |
| Enzo Barboni (Director of Photography), Sergio Bergamini (Cameramen), Jorge Herrero (Cameramen)
|
| Schnitt |
| Nino Baragli (Film Editors), Alberto Gallitti (Film Editors), Amedeo Salfa (Assistant Film Editor)
|
| Continuity |
| Isabel Mula (Script), Patrizia Zulini (Script - als Amalia Zulini)
|
| Maske |
| Francisco Puyol (Make-up), Pierantonio Mecacci (Make-up - als Piero Mecacci)
|
| Dialoge |
| Anna Korda (Dialogue Coach)
|
| Idee |
| Virgil C. Gerlach (From an Original Treatment by), Louis Garfinkle (Additional Dialogue by)
|
| Bauten |
| Jaime Perez Cubero (Art Director)
|
| Standfotograf |
| Angelo Pennoni (Still Men), Jose Salvadore (Still Men)
|
| Produktionsfirmen |
| Alba Cinematografica (Rome), Tecisa (Madrid)
|
| 1. Regieassistenz |
| Ruggero Deodato (Assistant Director), Maria Berrutia (Assistant Director)
|
| Produzent |
| Alfredo Antonini (Produced by - als Albert Band), Eliseo Boschi (Production Managers), Fernando Ocana (Production Managers), Tonino Sarno (Production Inspectors), Julio Parra (Production Inspectors)
|
| Regie |
| Sergio Corbucci (Directed by)
|
