| Musik |
| Piero Montanari (music by)
|
| Drehbuch |
| Cinthia McGavin (screenplay by)
|
| Kamera |
| Franco Delli Colli (director pf photography and cameraman), Daniele Massaccesi (Assistant Cameraman - als Daniel Kalehoff)
|
| Schnitt |
| Rosanna Landi (editor - als Kathleen Stratton), Henry Robinson (Editor Assistant)
|
| Idee |
| Umberto Lenzi (story by - als Humphrey Humbert)
|
| Bauten |
| Antonello Geleng (art director - als Alexander Colby), Rubina Rockett (Design Assistants)
|
| Kostüme |
| Kuo Ami (Wardrobe)
|
| 1. Regieassistenz |
| Claudio Lattanzi (First Assistant - als Clay Millycamp)
|
| Continuity |
| Vivy Levitt (Continuity)
|
| Standfotograf |
| Jeff Hest (Stills)
|
| Maske |
| Peter Moor (Make-up)
|
| Frisuren |
| Paula White (Hairdressing)
|
| Ton |
| Hubrecht Nijhuis (Sound Men), David Lee (Sound Men)
|
| Spezialeffekte |
| Dan Maklansky (Special Effects), Robert Gould (Special Effects), Roland Park (Special Effects)
|
| Produktionsfirmen |
| Filmirage (Per la)
|
| Produzent |
| Aristide Massaccesi ([non accreditato]), Tony Hood (Production Manager), Mary Noolite (Production Assistants), John Therrien (Production Assistants), Charles Wallach (Paymaster)
|
| Regie |
| Umberto Lenzi (directed by - als Humphrey Humbert)
|
