| Musica |
| Ennio Morricone (Music composed and directed by)
|
| Sceneggiatura |
| Peter Powell (Original screenplay by), Thomas Hunter (& (Original screenplay by))
|
| Direttore della fotografia |
| Ousama Rawi (Director of Photography - B.S.C.), Idelmo Simonelli (Camera operators), Peter Ewens (Camera operators), Charles Staffell (Process projection by - B.S.C.)
|
| Montaggio |
| Alan Strachan (Film editor), Jonathan Bates (Sound editor), Mcihael A. Sloan (Assistant editor)
|
| Scenografia |
| Peter Mullins (Art director)
|
| Segretaria di edizione |
| Penny Daniels (Continuity)
|
| Aiuto regista |
| Ray Frift (Assistent directors), Fernando C. Bozzo Monaco (als Fernando Monaco Bozzo)
|
| Fonico |
| Roy Charman (Sound recordists), Ken Barker (Sound recordists)
|
| Scenografia |
| Ken Ryan (Assistant art directors), John Siddall (Assistant art directors), Boris Juraga (Assistant art directors)
|
| Effetti speciali |
| Les Bowie (Special effects), Giovanni Diodato (Special effects)
|
| Costumi |
| Anna Maria Fea (Wardrobe supervisors), Tiny Nichols (Wardrobe supervisors)
|
| Truccatore |
| Stefano Trani (Make-up supervisors), Paul Rabiger (Make-up supervisors)
|
| Parrucchiere |
| Ennio Cascioli (Hairdressing supervisors), Barbara Ritchie (Hairdressing supervisors)
|
| Scenografia |
| Dave Jordan (Property master)
|
| Produttore |
| Frank Avianca (A - Production / Produced by), George Davis (Production controller), Mario Pisani (Production managers), Roy Parkinson (Production managers), Lorraine Fennell (Production assistants), Laura Fattori (Production assistants), Mario Abussi (Location manager), Peter R. Inwards (Associate producer), Terry Lens (Executive producer)
|
| Regia |
| Edward Dmytryk (Directed by)
|
