| Musica |
| Sante Maria Romitelli (music by)
|
| Sceneggiatura |
| Gianfranco Parolini (screenplay by - als Frank Kramer)
|
| Direttore della fotografia |
| Sandro Mancori (director of photography), Mario Sbrenna (cameraman), Aldo Marchiori (focus puller), Sami Gratushka (loader), Eitan Tzur (chief electrician), Samuel Levi (chief grip)
|
| Montaggio |
| Manlio Camastro (film editor), Orlando Signorelli (assistant film editor)
|
| Aiuto regista |
| Timna Ranon (assistants director [sic!]), Leonard Natan (assistants director [sic!]), Itschak Ben Zur (assistants director [sic!])
|
| Scenografia |
| Ariel Roshko (assistant art director)
|
| Fonico |
| Wally Milner (sound man), Simcha Silberstein (boom man)
|
| Truccatore |
| Hanna Chalfon (make-up), Blanche Shuler (make-up)
|
| Costumi |
| Sara Weiner (wardrobe), Edit Burstein (assistant)
|
| Fotografo di scena |
| Joni Hamenachem (still photographer)
|
| Segretaria di edizione |
| Melody Greene (script girl)
|
| Soggetto |
| John Fonseca (based on a original script by)
|
| Scenografia |
| Claudio De Santis (art director - als Claudio Desantis)
|
| Effetti speciali |
| Gianni D'Andrea (special effects)
|
| Dialogtrainer |
| Ralph Zucker (dialogue coach)
|
| Produttore |
| Yoram Globus (associate producer), Menahem Golan (producer), Chaim Manor (production managers), Rafi Adar (production managers), Ovadia Mayberg (location manager), Naomi Mayberg (production secretary)
|
| Regia |
| Gianfranco Parolini (director - als Frank Kramer)
|
