| Musik |
| Nora Orlandi (music by), Robby Poitevin (orchestra conducted by), Paola Orlandi (als Paola Orlandi and the 4+4; the song [...] sung by)
|
| Drehbuch |
| Roberto Gianviti (story and screenplay), Paul Aroussean (Script)
|
| Stunt-Koordinator |
| Roberto Messina (fight sequences)
|
| Kamera |
| Osvaldo Civirani (director of photography), Walter Civirani (assistant cameramen), Silvano Mancini (cameramen), Sergio Bergamini (cameramen), Giovanni Antinori (assistant cameramen), Walter Civirani (assistant cameramen), Spartaco Pizzi (chief technician), Luigi Pasqualini (electrician)
|
| Schnitt |
| Gian Maria Messeri (film editor - als Giovanni Maria Messeri)
|
| Continuity |
| Enzo Dell'Aquila (als Vincenzo Dell'Aquila (c.s.c.); script clerks)
|
| Idee |
| Roberto Gianviti (story and screenplay)
|
| Maske |
| Marcello Di Paolo (make-up director)
|
| Bauten |
| Paola Mugnai (art director - (c.s.c.))
|
| Kostüme |
| Antonio Randaccio (costume designer)
|
| Ton |
| Alessandro Sarandrea (sound technician - als Alessandro Serandrea)
|
| 1. Regieassistenz |
| Pierre Beuchot (assistant directors), Bona Magrini (assistant directors)
|
| Continuity |
| Rometta Pietrostefani (script clerks)
|
| Maske |
| Cinzia Landi (make-up assistants), Marisa Lancini (make-up assistants)
|
| Frisuren |
| Ada Palombi (hair stylist)
|
| Titel |
| Virgilio Milana (main titles created by)
|
| Bauten |
| Andrea Fantacci (set dresser)
|
| Ton |
| Tullio Petricca (boom man)
|
| Kostüme |
| Rina Conti (seamstress)
|
| Produzent |
| Umberto Chinigo (Production Manager), Camillo Teti (production supervisors), Francois Menny (production supervisors), Vincenzo Mazzucchi (production secretary)
|
| Regie |
| Osvaldo Civirani (directed by)
|
