| Musik |
| Bernard Herrmann (Music by - conducting [...])
|
| Drehbuch |
| Jan Read (Screenplay by), Beverley Cross (Screenplay by)
|
| Kamera |
| Wilkie Cooper (Photographed by), Harry Gillam (Camera operator)
|
| Schnitt |
| Maurice Rootes (Editor)
|
| Spezialeffekte |
| Ray Harryhausen (Creator of special visual effects)
|
| Bauten |
| Geoffrey Drake (Production Designer), Herbert Smith (Art directors), Jack Maxsted (Art directors), Antonio Sarza Braga (Art directors - als Tony Sarzi Braga)
|
| Continuity |
| Phyllis Crocker (Continuity)
|
| Ton |
| Cyril Collick (Sound recordists), Red Law (Sound recordists), Alfred Cox (Sound editor)
|
| 1. Regieassistenz |
| Dennis Bertera (Assistant director)
|
| Produzent |
| Charles H. Schneer (A - Production / Produced by), Ray Harryhausen (Associate producer - crator of special visual effects), John Dark (Production executive), Leonardo Scavino (Unit managers - als Leon Lenoir), Jimmy Komisarjevsky (Unit managers), Paul Maslansky (Unit managers)
|
| Regie |
| Don Chaffey (Directed by)
|
