| Musik |
| Dimitri Tiomkin (Music composed and conducted by), George Korngold (Music editor)
|
| Drehbuch |
| Ben Barzman (Screenplay by), Basilio Franchina (Screenplay by), Philip Yordan (Screenplay by)
|
| Kamera |
| Robert Krasker (Director of photography - B.S.C.), John Harris (Camera operator), Cecilio Paniagua (Second unit cameraman), Carl Gibson (Supervising technician), Bruno Pasqualini (Supervising electrician)
|
| Schnitt |
| Robert Lawrence (Film editor), Magdalena Paradell (Assistant to the editor)
|
| Bauten |
| Veniero Colasanti (Set decoration, production and costume designers), John Moore (and (Set decoration, production and costume designers)), Stanley Detlie (Master of properties), Maciek Piotrowski (Title backgrounds and murials)
|
| Kostüme |
| Veniero Colasanti (Set decoration, production and costume designers), John Moore (and (Set decoration, production and costume designers)), Gloria Mussetta (Wardrobe)
|
| Regie 2. Stab |
| Yakima Canutt (Second unit director)
|
| 1. Regieassistenz |
| José Lopez Rodero (Assistant director - first unit)
|
| 2. Regieassistenz |
| José Maria Ochoa (Assistant director - second unit)
|
| Casting |
| Maude Spector (Casting)
|
| Continuity |
| Elaine Schreyeck (Continuity)
|
| Maske |
| Mario Van Riel (Make-up)
|
| Frisuren |
| Grazia De Rossi (Hairdressing)
|
| Ton |
| Gordon K. McCallum (Sound recorded by), David Hildyard (Sound mixer), Milton Burrow (Sound effects editor)
|
| Spezialeffekte |
| Alex Weldon (Special effects)
|
| Dialogtrainer |
| George Tyne (Dialogue coach)
|
| Produzent |
| Samuel Bronston (- presents / Produced by), Jaime Prades (Associate producer), C.O. Erickson (Executice production manager), Michael Waszynski (Executive associate producer)
|
| Regie |
| Anthony Mann (Directed by)
|
