| Musica |
| Riz Ortolani (Music Composed and Directed by)
|
| Sceneggiatura |
| Dino Maiuri (Scenario by), Massimo De Rita (Scenario by), Serge De La Roche (and (Scenario by))
|
| Maestro d'armi |
| Benito Stefanelli (Master of arms), Bob Simmons (and (Master of arms))
|
| Direttore della fotografia |
| Aldo Tonti (The film was photographed by), Sergio Martinelli (assisted by), Antonio Tonti (assisted by), Enrico Priori (assisted by)
|
| Montaggio |
| Roger Dwyre (The supervising editor was), Annie Charrier (assisted by), John Longmuir (assisted by), Claudio Cutry (assisted by)
|
| Soggetto |
| Robert Graves (Based on a story by), Richard Aubrey (and (Based on a story by) / Original screenplay by)
|
| Scenografia |
| Mario Garbuglia (The production was designed by), Luciano Puccini (assisted by), Emilio D'Andria (assisted by)
|
| Costumi |
| Giorgio Desideri (Costume designer), Alberto Tosto (assisted by), Giulia Stefanelli (and (assisted by))
|
| Mitarbeit Regie |
| Johnny Dwyre (Associate Director)
|
| Aiuto regista |
| Christian Raoux (Assistant directors), Joe Achoa (Assistant directors), Roberto Cirla (Assistant directors), Raffaele Armonioso (Assistant directors), Kekiza Soldo (Assistant directors)
|
| Fotografo di scena |
| Emilio Lari (Still photographers), Georges Veran (and (Still photographers))
|
| Truccatore |
| Otello Fava (Make-up by)
|
| Parrucchiere |
| Antonia Nieto (Hairdressing by - als Tony Nieto)
|
| Fonico |
| Mario Celentano (The film was recorded by), Gaetano Testa (and (The film was recorded by)), Federico Savina (by), Bruno Longobardo (and (by))
|
| Segretaria di edizione |
| Renata Harris (Casting director)
|
| Dialogtrainer |
| John Alarimo (Dialogue coach)
|
| Produttore |
| Emile Hebey (Associate Producer), Nino Crisman (Produced by - als Nino Krisman), Fernando Franchi (The production managers were), Nino Milano (The production managers were), Giuseppe Vezzani (assisted by), Rosalba Di Bartolo (als Rosalba Tonti; assisted by)
|
| Regia |
| Terence Young (- 's / Directed by)
|
