| Musik |
| Jonathan Scott Bogner (Music supervisor), Fuzzbee Morse (Music composed and performed by)
|
| Drehbuch |
| Dennis Paoli (Screenplay by)
|
| Kamera |
| Sergio Salvati (Director of photography), Franco Bruni (camera operator), Maurizio Lucchini (focus puller), Fabrizio Papale (camera assistant)
|
| Schnitt |
| Barry Zetlin (Editor)
|
| Bauten |
| Giovanni Natalucci (Production designer)
|
| Idee |
| Charlie Dolan (Story by)
|
| 1. Regieassistenz |
| Mauro Sacripanti (1st assistant director)
|
| 2. Regieassistenz |
| Andrea Marrari (2nd assistant director)
|
| Continuity |
| Anita Borgiotti (script supervisor)
|
| Standfotograf |
| Giuseppe Botteghi (still photographer)
|
| Ton |
| Primiano Muratori (sound mixer), Marco Di Biase (als Marco Di Biasi; boom operator)
|
| Kostüme |
| Emanuele Zito (wardrobe master), Gloria Mussetta (wardrobe coordinator - italy), Bianca Erba (seamstress)
|
| Bauten |
| Giacomo Calò Carducci (set decorator), Antonio Ferri (prop master)
|
| Maske |
| Alfredo Tiberi (make-up artists), Giacinto Bretti (make-up artists), Sabrina Farina (make-up artists)
|
| Frisuren |
| Ida Gilda De Guilmi (als Gilda De Guilmi; hair stylist), Maurizio Lupi (hair dresser)
|
| Produzent |
| Charles Band (A - Production), Roberto Bessi (Executive in charge of production), Albert Band (Produced and directed by), Gianfranco Coduti (production manager - italy), Luigi Lagrasta (unit manager)
|
| Regie |
| Albert Band (Produced and directed by)
|
