| Musik |
| Francis Lai (Music by), Christian Gaubert (Arranged and conducted by)
|
| Drehbuch |
| David R. Schwartz (Screenplay by)
|
| Kamera |
| Gerry Turpin (Photographed by - B.S.C.), Ron Taylor (Camera Operator)
|
| Schnitt |
| John Jympson (Film Editor), Rusty Coppleman (Sound Editor), Pamela Tomling (Assistant Editor)
|
| Bauten |
| Donald M. Ashton (Production Designed by - als Don Ashton)
|
| 1. Regieassistenz |
| Gus Agosti (Assistant Director)
|
| Ton |
| Sash Fisher (Sound Recordists - M.I.E.E.), Gordon K. McCallum (Sound Recordists)
|
| Continuity |
| Yvonne Axworthy (Continuity)
|
| Bauten |
| Elven Webb (Art Director), Franco Fumagalli (Set Dresser)
|
| Kostüme |
| Adriana Berselli (Costumes)
|
| Maske |
| Harry Frampton ([...] Make up by), Jeff O'Gorman ([...] Make up by)
|
| Dialogcoach |
| Al Lettieri (Dialogue Directors - als Alfredo Lettieri), Raffaele Nottola (and (Dialogue Directors))
|
| Idee |
| Burt Cole (Based upon the novel [...] by)
|
| Produzent |
| Jerry Gershwin (A - Production / and (Produced by)), Elliott Kastner (A - Production / Produced by), Marion Rosenberg (Assistants to Producer), Franca Tasso (and (Assistants to Producer)), Aldo Piga (Associate to Producer), Denis Holy (Production Supervisor), David R. Schwartz (Associate Producer), Orazio Tassara (Production Manager)
|
| Regie |
| Robert Parrish (Directed by)
|
