| Musik |
| Elmer Bernstein (music), Anne Heywood (song [...] sung by)
|
| Drehbuch |
| James D. Buchanan (screenplay by), Ronald Austin (and (screenplay by)), Berne Giler (and (screenplay by))
|
| Kamera |
| Ken Higgins (director of cinematography - B.S.A.), Peter Allwork (camera operator)
|
| Schnitt |
| Frederic Steinkamp (film editor), Vernon Messenger (sound editor), Claudio Cutry (assistant editors), Wanda Boileau (assistant editors)
|
| Bauten |
| Arthur Lawson (art directors), Ezio Cescotti (art directors)
|
| 1. Regieassistenz |
| Luciano Sacripanti (assistant directors), Luciano Palermo (assistant directors)
|
| Continuity |
| Karen Wookey (script supervisor)
|
| Ton |
| Ben Winkler (sound engineer)
|
| Kostüme |
| Franco Antonelli (wardrobe)
|
| Maske |
| Giuseppe Capogrosso (makeup - als Pino Capogrosso)
|
| Frisuren |
| Mirella Ginnoto (hair stylist)
|
| Bauten |
| Massimo Tavazzi (set decoration), Oliver Foss (paintings by)
|
| Idee |
| Berne Giler (story by)
|
| Produzent |
| Raymond Stross (A - Production / produced by), Leon Chooluck (supervisor of production), Lamar G. Criss (production comptroller), Maria Luisa Alcaraz (production assistant), Armando Govoni (unit manager), Selig J. Seligman (executive producer)
|
| Regie |
| Alf Kjellin (directed by)
|
