| Musik |
| Lalo Schifrin (music composed and conducted by), Henry Shed (song [...] sung by)
|
| Drehbuch |
| Rod Amateau (written by)
|
| Kamera |
| Tonino Delli Colli (director of photography), Giovanni Ciarlo (camera operator), Augusto Diamanti (head grip), Alberto Ridolfi (head electrician)
|
| Schnitt |
| Larry Heath (film editor - A.C.E.), Roderic G. Stephens (assistant editor)
|
| Bauten |
| Antonio Sarza Braga (production designer - als Toni Sarzi Braga)
|
| Kostüme |
| Adriana Berselli (costume designer)
|
| Dialogcoach |
| Ray Mottola (dialogue coach - als Rae Mottola)
|
| Casting |
| Isa Bartalini (casting, Rome), Maude Spector (casting, England)
|
| 1. Regieassistenz |
| Francesco Cinieri (assistant director)
|
| 2. Regieassistenz |
| Mario Jurisic (2nd assistant director - als Mario Jurisich)
|
| Spezialeffekte |
| Danny Lee (special effects)
|
| Ton |
| Cyril Collick (sound - als Cyril Collack), Primiano Muratori (boom man)
|
| Continuity |
| Bona Magrini (continuity)
|
| Maske |
| Francesco Freda (makeup - als Franco Freda)
|
| Frisuren |
| Amalia Paoletti (hairdresser), Adalgisa Favella (assistant hairdresser)
|
| Kostüme |
| Tina Grani (head wardrobe)
|
| Bauten |
| Arrigo Breschi (set dresser), Giorgio Postiglione (assistant art director), Lamberto Verdenelli (prop master)
|
| Produzent |
| Jerry Bresler (A - Production / produced by), Alessandro Von Norman (production manager - als Alessandro Von Normann), Luciano DePita (accountant), Ennio Onorati (unit manager)
|
| Regie |
| Rod Amateau (directed by)
|
