| Musik |
| Pino Donaggio (Music by), Giampiero Boneschi (Arranged and cinducted by)
|
| Drehbuch |
| Alan Scott (Screenplay by), Chris Bryant (and (Screenplay by))
|
| Stunt-Koordinator |
| Richard Grayden (Stund Co-ordinator)
|
| Kamera |
| Anthony Richmond (Director of Photography - B.S.C.), Luciano Tonti (Camera Operator), Luciano Marrocchi (Gaffer), Spartaco Pizzi (Key Grip)
|
| Schnitt |
| Graeme Clifford (Film Editor), Rodney Holland (Sound Editor), Tony Lawson (Assistant Editors), Peter Holt (Assistant Editors)
|
| Idee |
| Daphne Du Maurier (from a story by)
|
| Bauten |
| Giovanni Soccol (Art Director), Francesco Chianese (Set Dresser)
|
| 1. Regieassistenz |
| Francesco Cinieri (Assistant Director)
|
| Ton |
| Peter Davies (Sound Recordist), Bob Jones (Dubbing Mixer)
|
| Kostüme |
| Marit Lieberson ([...] Wardrobe), Andrea Galer (& ([...] Wardrobe)), Anna Maria Fea (Wardrobe Mistress - als Annamaria Fea)
|
| Maske |
| Giancarlo Del Brocco (Make-up)
|
| Frisuren |
| Barry Richardson (Hair Stylist), Maria Luisa Garbini (Hairdresser)
|
| Casting |
| Miriam Brickman (Casting), Ugo Mariotti (& (Casting))
|
| Continuity |
| Rita Agostini (Continuity)
|
| Presse |
| Hubert Doyle (Publicity)
|
| Produzent |
| Peter Katz (A - Production / Produced by), Anthony B. Unger (and (A - Production) / Executive Producer), Federico Müller (Associate Producer - als Federico Mueller), Gianfranco Coduti (Unit Manager - als Franco Coduti), Terence O'Connor (Production Accountant), Steve Previn (Production Executive)
|
| Regie |
| Nicolas Roeg (Directed by)
|
