| Musik |
| Francesco De Masi (Music Composed and Conducted by)
|
| Drehbuch |
| Marino Girolami, Tito Carpi, Ralph Anders (Screenplay by), Mike Conda (Screenplay by), Eugene Walter (Screenplay by)
|
| Kamera |
| Mario Fioretti (Director of Photography), Carlo Fioretti (Camera Operator), Rainer Lanuschny (Camera Assistant)
|
| Schnitt |
| Franca Silvi (Film Editor), Michael Johns (Dialogue Editor)
|
| Idee |
| Marino Girolami, Tito Carpi
|
| Bauten |
| Tonino Fratalocchi (Art Director - als Kieth Anderson)
|
| 1. Regieassistenz |
| Renzo Girolami
|
| Continuity |
| Maria Luisa Merci (Continuity - als Cheryl Frootko)
|
| Bauten |
| Rudolf Andreas (Production Designer)
|
| Kostüme |
| Regina Wollschlager (Wardrobe Supervisor)
|
| Ton |
| Anthony Sloman (Sound Editors), Roger Guertin (Sound Editors)
|
| Spezialeffekte |
| George Hilton (II) (Special Effects)
|
| Bauten |
| Ben Keet (Set Decorator)
|
| 1. Regieassistenz |
| Ute Albrecht (Director assistants), Alberto Salvatori (Director assistants)
|
| Maske |
| Susannah Davies (Make Up), Renzo Francioni (Make Up)
|
| Frisuren |
| Ashley Ferne (Hair Style Suoervision)
|
| Ton |
| Peter Roger (Sound), John Wood (Sound Mixer)
|
| Bauten |
| Hardy Botha (Construction)
|
| Idee |
| Ralph Anders (Based on the Novel [...] by)
|
| Produzent |
| Carlo Moscovini (direttore di produzione), Ralph Anders (Associate Producer), Gerd Roeber (Production Manager), Stanley Norman (Produced by)
|
| Regie |
| Marino Girolami (Directed by - als Fred Wilson)
|
