| Musik |
| Michael Masser (Music by)
|
| Drehbuch |
| John Byrum (Screenplay by)
|
| Kamera |
| David Watkin (Director of photography), Alvaro Romagnoli (Gaffers), Sergio Serantoni (Key Grips)
|
| Schnitt |
| Peter Zinner (Editor - A.C.E.), Claudio Cutry (Assistant Editor)
|
| Idee |
| Toni Amber (Based on a story by)
|
| Bauten |
| Leon Erickson (Art Directors), Aurelio Crugnola (Art Directors), Franco Fumagalli (Set Constructions), Marcello Medoni (Prop Masters)
|
| Kostüme |
| Diana Ross (Costumes Designed by), Annalisa Nasalli Rocca (Wardrobe Supervisor)
|
| 1. Regieassistenz |
| Andrew Grieve (1st Assistant Director)
|
| 2. Regieassistenz |
| Robert Dahlin (2nd Assistant Directors), Piero Amati (2nd Assistant Directors)
|
| Continuity |
| Sioux Oehler (Script Supervisors), Francesca Roberti (Script Supervisors)
|
| Maske |
| Wally Schwartz (Makeup), Franco Corridoni (Makeup)
|
| Frisuren |
| Maria Teresa Corridoni (Hair Stylist)
|
| Choreografie |
| Jho Jhenkins (Choreographer/Consultant)
|
| Produzent |
| Rob Cohen (Produced by), Jack Ballard (And (Produced by)), Neil Hartley (Associate Producer), William Clarkson (Unit Production Managers), Manrico Melchiorre (Unit Production Managers)
|
| Regie |
| Berry Gordy (a - film / Directed by)
|
