| Musik |
| Ivan Vandor (Music advisor)
|
| Drehbuch |
| Mark Peploe (Screenplay by), Peter Wollen (Screenplay by), Michelangelo Antonioni (and (Screenplay by))
|
| Kamera |
| Luciano Tovoli (Director of photography - a.i.c.), Cesare Allione (Camera operator), Michele Picciaredda (Assistant cameramen), Franco Frazzi (Assistant cameramen), Roberto Lombardi (Assistant cameramen - als Roberto Lombardi Dallamano)
|
| Schnitt |
| Franco Arcalli (Edited by), Michelangelo Antonioni (and (Edited by)), Franca Silvi (Sound editor)
|
| Idee |
| Mark Pelpoe (Original story by)
|
| Bauten |
| Piero Poletto (Art director), Osvaldo Desideri (Set decorator)
|
| Kostüme |
| Louise Stjensward (Costumes by)
|
| 1. Regieassistenz |
| Enrico Sannia (Assistant directors), Claudio Taddei (Assistant directors), Enrica Fico (Assistant directors)
|
| 2. Regieassistenz |
| Hercules Bellville (and in England (Assistant directors)), Federico Canudas (in Spain (Assistant directors)), Ina Sritsche (in Germany (Assistant directors))
|
| Continuity |
| Lisa Bellini (Continuity)
|
| Standfotograf |
| Floriano Steiner (Stillman)
|
| Maske |
| Francesco Freda (Make-up - als Franco Freda)
|
| Frisuren |
| Adalgisa Favella (Hairdresser)
|
| Ton |
| Cyril Collick (Sound recordist), Fausto Ancillai (Sound mixer)
|
| Produzent |
| Carlo Ponti (A - production / Produced by), Alessandro Von Norman (Executive producer - als Alessandro Von Norman), Ennio Onorati (Production manager), Lynn Kamern (Assistant prod. managers), Paolo Pettini (Assistant prod. managers), Tony Moore (and in England (Assistant prod. managers)), Adriano Magistretti (and in England (Assistant prod. managers)), Valentin Panero (in Spain (Assistant prod. managers)), Leonard Gmur (in Germany (Assistant prod. managers))
|
| Regie |
| Michelangelo Antonioni (a film by / Directed by)
|
