| Musik |
| Daniele Paris (Music composed and conducted by)
|
| Drehbuch |
| Liliana Cavani (Screenplay), Italo Moscati (Screenplay), Barbara Alberti (collaborated on the screenplay), Amedeo Pagani (collaborated on the screenplay)
|
| Kamera |
| Alfio Contini (Director of Photography), Sandro Tamborra (Camera Operator), Giancarlo Granatelli (Assistant Operator), Ernesto Novelli (Color Supervisor), Domizio Ercolani (Chief Electrician), Vittorio Chessari (Chief Grip)
|
| Schnitt |
| Franco Arcalli (Editor), Michael Billingsley (Sound Editor), Elvio Sordoni (Assistant to Mr. Arcalli)
|
| Standfotograf |
| Franco Bellomo ([non accreditato])
|
| Idee |
| Liliana Cavani (Story by), Barbara Alberti (Story by), Amedeo Pagani (Story by)
|
| Bauten |
| Jean Marie Simon (Art direction), Nedo Azzini (Art direction), Osvaldo Desideri (Set Decorator)
|
| Kostüme |
| Piero Tosi (Costumes designed by), Alberto Verso (Assistant to Mr. Tosi), Maria Fanetti (Wardrobe Mistress)
|
| 1. Regieassistenz |
| Franco Cirino (Assistant Directors), Paolo Tallarigo (Assistant Directors), Johann Freisinger (Assistant Directors Vienna)
|
| Continuity |
| Maria Luisa Rosen (Continuity - als Marisa Rosen)
|
| Standfotograf |
| Eugenio Rondani ([non accreditato])
|
| Maske |
| Euclide Santoli (Make up and Hairdressing), Cesare Paciotti (Make up and Hairdressing)
|
| Frisuren |
| Iole Cecchini (Make up and Hairdressing - als Jole Cecchin)
|
| Ton |
| Eugenio Rondani (Sound), Decio Trani (Sound), Fausto Ancillai (Mixer)
|
| Spezialeffekte |
| Roberto Arcangeli (Effects)
|
| Dialogcoach |
| Ray Mottola (Dialogue Coach - als Raffaele Mottola)
|
| Synchronregisseur |
| Robert Rietty (Post Synchonisation Director)
|
| Produzent |
| Esa De Simone (The - production), Robert Gordon Edwards (The - production / Produced by), Joseph E. Levine (- presents), Umberto Sambuco (Production Unit), Dino Di Dionisio (Production Unit), Roberto Edwards (Production Unit), Otto Dworak (Production Unit Vienna)
|
| Regie |
| Liliana Cavani (A film by / Directed by)
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