| Musica |
| Carmine Coppola (music by)
|
| Sceneggiatura |
| Melissa Mathison (screenplay by), Jeanne Rosenberg (& (screenplay by)), William D. Wittliff (and (screenplay by))
|
| Direttore della fotografia |
| Caleb Deschanel (director of photography), Vladimiro Salvatori (key grip), Franco Frazzi (assistant cameramen), Eraldo Barbona (company grip), Sergio Coletta (gaffer), Luciano Giuseppone ([non accreditato]), Osvaldo Caruso ([non accreditato])
|
| Montaggio |
| Robert Dalva (editor), Diana Pellegrini (associate editors)
|
| Scenografia |
| Aurelio Crugnola (art directors), Earl Preston (art directors)
|
| Soggetto |
| Walter Farley (from the novel [...] by)
|
| Aiuto regista |
| Doug Claybourne (assistant director)
|
| Effetti speciali |
| Aldo Gasparri (special effects), Sesto Burgalossi (special effects)
|
| Scenografia |
| Maria Teresa Barbasso (assistant art director), Giancarlo Capuani (property masters), Nicola Bucci (property masters)
|
| Fotografo di scena |
| Sergio Strizzi (still photographer)
|
| Produttore |
| Fred Roos (produced by), Tom Sternberg (and (produced by)), Francis Ford Coppola (executive producer - als Francis Coppola), Alessandro Von Norman (production managers - als Alessandro Von Normann), Ted Holliday (production managers), Franco Ballati (unit manager)
|
| Regia |
| Carroll Ballard (directed by)
|
