| Musica |
| Lalo Schifrin (music composed and conducted by), Henry Shed (song [...] sung by)
|
| Sceneggiatura |
| Rod Amateau (written by)
|
| Direttore della fotografia |
| Tonino Delli Colli (director of photography), Giovanni Ciarlo (camera operator), Augusto Diamanti (head grip), Alberto Ridolfi (head electrician)
|
| Montaggio |
| Larry Heath (film editor - A.C.E.), Roderic G. Stephens (assistant editor)
|
| Scenografia |
| Antonio Sarza Braga (production designer - als Toni Sarzi Braga)
|
| Costumi |
| Adriana Berselli (costume designer)
|
| Dialogcoach |
| Ray Mottola (dialogue coach - als Rae Mottola)
|
| Casting |
| Isa Bartalini (casting, Rome), Maude Spector (casting, England)
|
| Aiuto regista |
| Francesco Cinieri (assistant director)
|
| Assistente regista |
| Mario Jurisic (2nd assistant director - als Mario Jurisich)
|
| Effetti speciali |
| Danny Lee (special effects)
|
| Fonico |
| Cyril Collick (sound - als Cyril Collack), Primiano Muratori (boom man)
|
| Segretaria di edizione |
| Bona Magrini (continuity)
|
| Truccatore |
| Francesco Freda (makeup - als Franco Freda)
|
| Parrucchiere |
| Amalia Paoletti (hairdresser), Adalgisa Favella (assistant hairdresser)
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| Costumi |
| Tina Grani (head wardrobe)
|
| Scenografia |
| Arrigo Breschi (set dresser), Giorgio Postiglione (assistant art director), Lamberto Verdenelli (prop master)
|
| Produttore |
| Jerry Bresler (A - Production / produced by), Alessandro Von Norman (production manager - als Alessandro Von Normann), Luciano DePita (accountant), Ennio Onorati (unit manager)
|
| Regia |
| Rod Amateau (directed by)
|
